As one of the premier studio production companies in New York, Broadway Stages works to meet the growing needs of the film and TV industry while also focusing on the needs of our community. We provide the industry with a soundstage or location where they shoot their scenes, but they also need a skilled and experienced workforce. In this series, we look at the various jobs that make a production come to life. We hope it provides insight and encourages you to consider a career in the film and TV industry. This week, we answer the question: “What’s a Key Grip?”

In our first installment, we highlighted the role of the Gaffer, who heads the lighting department. A production’s lighting requires extensive set-up of equipment and rigging, and this falls under the purview of the grip department.

What is a Grip?

According to Mental Floss, the term was adapted from the American theater where it was used for a stagehand who helps shift scenery. But as usual, it’s all in the details and this crew, led by the Key Grip, has a lot of responsibility. 

Job Description.

The Key Grip is the chief supervisor of the grip crew responsible for setting up camera equipment and rigs, operating camera dollies and cranes, setting up lighting rigs and operating other non-electrical lighting equipment.

The Key Grip is involved in the earliest stages of production planning to ensure the lighting and cameras are ready to meet the unique needs of each production. The Key Grip works closely with the Gaffer and the Cinematographer or Director of Photography (DP) to ensure proper set-up for the lighting and camera equipment. The Key Grip also collaborates with the camera operators to determine the necessary grip equipment needed.

Getting a grip on things.

While the Key Grip, assisted by the Best Boy Grip, has numerous responsibilities, their first and foremost is safety on the set. According to Careers in Film, the Key Grip is second in charge of safety, after the 1st AD (first assistant director). This makes sense given the grip department is responsible for putting in place a lot of a set’s infrastructure. The grip crew’s expertise at safely and securely installing the equipment and rigging is crucial to make sure no one gets hurt. No Film School compares the grips to a construction crew, setting up many elements — from filters and tents to scaffolds, ladders, dollies, tracks, and cranes. This not only ensures proper lighting, but also provides stability and the right positioning for the camera. The next time you view a scene filmed with exceptional lighting, from a great height, or at a high speed, think of the grip department and the work they did to make that happen! Read more about what’s involved in the role of a Key Grip at MasterClass and Careers in Film.

How do I become a Key Grip?

With no specific degree required, the best way to become a Key Grip is with job experience. According to MasterClass, important skills to develop are technical knowledge, as the job involves working with various equipment and tools. Also, problem-solving skills are crucial in finding solutions to the unique needs of each production. And finally, communication skills are paramount for a Key Grip who needs to effectively lead a crew. Learn about film and TV industry jobs, training, and more in the Broadway Stages’ Industry Resource Guide. Our guide provides information about industry-focused job posting sites; links to general recruiting sites; education and training programs; and state, city, and borough industry information.